All Entries Tagged With: "copyright liability"
Buy My Book on Amazon – Memories of Unsoiled Decay
A camera sees differently than our eyes do and can be used as a means to communicate a story. For most artists – the story goes beyond themselves and capturing moments from their lives and the literal content contained within the frame. The photographs no longer reveal literal truth but instead present a metaphor for a greater truth. The viewer is engaged in identifying the metaphor and appreciating the relationship that the photographer has demonstrated with the subject. This portfolio is both. However, there is a third component of this portfolio that makes it worthy of being the work product of a Masters Degree Scholar: these photographs were specifically created in such a way as to maximize a viewers engagement with these images. I applied scientific research to my photographic process – in order to maximize the portfolio’s ability to engage the viewer.
The importance of registering copyright
The importance of registering copyright
By Matthew B. Harrison
NEW YORK –– Copyright law protects your intellectual property immediately upon the fixation of a creative work in a tangible form. However, in many circumstances it is desirable to additionally register your works with the United States Copyright Office; especially if you want to maintain the ability to sue for significant damages.
Although copyright attaches to a particular work upon its fixation in a tangible media (a tape, a CD, a file, etc.), you cannot actually sue someone for infringing your copyright until you have registered your work with the Copyright Office. One can always register the copyright just prior to suing, however there is a major advantage to registering the copyright within three months from the date of first publication, or at least prior to the date of infringement: The ability to collect statutory damages. If you do not register your copyright within three months of initial publication, or before the date of the infringement, one would only be eligible for actual damages –– which are difficult to prove and may only be nominal in amount.
To see how this plays out, assume that I have created an amazing spoken-word audio program and posted it on a website without registering the copyright. Since the audio program is an original work fixed in a tangible form (a playable file) it is protected by copyright. Therefore, if someone from another website comes and copies the file and places it on their website, my copyright has been infringed. In order for me to sue, I need to register the file with the Copyright Office.
Assessing the scope of a copyright
Copyright: How much is too much – in terms of avoiding liability.
by Matthew B. Harrison, Esq.
PhotosAndTheLaw.com
In my legal practice, I focus on the unique legal issues facing photographers and artists. Lesley Arak of FNS Studios in Springfield asked me recently an interesting copyright related question that I felt would provide interesting fodder for an article. The question was “If I wanted to recreate a famous photograph, and I hired a model, a stylist, acquired the right outfit, and created an image that looked a lot like the original – would I be in violation of the original photographer’s copyright?”
In thinking about the answer, even more questions arose in my mind. Would it make any difference if the original image were not a photograph at all – but perhaps a drawing or painting? What if the original photograph was not of a person – but rather was of a location or an object – would it matter if a photographer took a similar picture of the same subject matter?